Kevin L. Kuder

Neo-Biomorphic Surrealism

Kuder reconstructs the human figure across painting and collage, working at the intersection of Organic Cubism and Surrealist photomontage to excavate the psychological interior of everyday experience.

Collages

Last Call at Galle Crater

2024, traditional collage, 14 x 16 inches

“A decomposing astronaut drifts among the inhabitants of some forgotten cosmic outpost, where the boundary between the living and the inanimate has long since dissolved.”

Nervous Breakdown at 11:23 p.m.

2024, traditional collage, 4 x 6 inches

“A grinning saint — haloed, horned, and butterfly-winged — presides over a skull held up like an offering, devotion and dread made indistinguishable from one another.”

Plate 11

2020, traditional collage, 11 x 17 inches

“A figure with a shattered, stone-lobed head and a respirator for a mouth stands amid industrial wreckage and a fractured sky.”

Plate 10

2020, traditional collage, 11 x 17 inches

“Two faces spliced into a single vertical axis stare outward from a world where skulls sprout wings, eyes colonize bodies, and the ornate and the wounded exist in uncomfortable proximity.”

Plate 9

2020, traditional collage, 11 x 17 inches

“A figure in formal dress presides over a gathering of masks and dolls, the natural world looming at the edges as if waiting to reclaim whatever order remains.”

Plate 8

2018, traditional collage, 11 x 17 inches

“A grotesque elder dissolves upward while the world below launches, broadcasts, and watches — everything transmitting, nothing connecting.”

Plate 7

2018, traditional collage, 11 x 17 inches

“Two hybrid figures face each other across a cosmic axis, one presiding from above with a mechanical eye, the other kneeling over a bowl of butterflies — ritual and surveillance collapsed into the same gesture.”

Plate 6

2018, traditional collage, 11 x 17 inches

“A pink-suited figure wears the world as a crown, ringed by explosive organic growth, while a burning skull drifts overhead and two tiny figures watch from the edge of another planet.”

Plate 5

2017, traditional collage, 11 x 17 inches

“Two figures — one turned away, one gazing outward — stand rooted in a desert landscape like organisms that have grown up from the earth itself, while stranger things circle overhead.”

Plate 4

2017, traditional collage, 11 x 17 inches

“Fragments of ritual, portraiture, and the uncanny press against each other across a grid of red and blue, every face — carved, photographed, masked, or tentacled — demanding equal attention.”

Plate 3

2017, traditional collage, 11 x 17 inches

“A black void descends through a solar eclipse into a galaxy map and an iridescent abyss, while gilded cherubs cling to the stem as if ornamenting the mouth of something that cannot be named.”

Plate 2

2017, traditional collage, 11 x 17 inches

“A face assembled from mismatched fragments clutches a disembodied eye while the grand interiors of history and the lit sprawl of the modern city collapse into the same uneasy background.”

Plate I

2017, traditional collage, 11 x 17 inches

“A winged skull descends over a map of the American West and a city of millions, while passport photos and anonymous faces bear quiet witness to whatever is falling.”